• News
  • 2018 Psalms show
  • 2018 Priceless show
  • 2017 Parlance show
  • 2016 Paramour show
  • 2015 Psycolourgy show
  • Print editions
  • Biography
  • Contact
  • Menu

NICK SMITH

NICK SMITH
  • News
  • 2018 Psalms show
  • 2018 Priceless show
  • 2017 Parlance show
  • 2016 Paramour show
  • 2015 Psycolourgy show
  • Print editions
  • Biography
  • Contact

Art Today Magazine interview

April 02, 2018

Nick was approached by Art Today Magazine with some questions about his upcoming show titled Priceless, opening 20th April at Lawrence Alkin Gallery. You can read the interview by clicking here

Be sure to add your email in the subscribe section of the contacts page to receive the show catalogue.

Art Today Magazine interview
Prev / Next

INSTAGRAM FEED @nicksmith_art

Van Gogh - Sunflowers Stolen: 14 April 1991 Recovered: Yes 754 colour chip collage Paper size: 70cm x 92cm Now on show @rhodescontemporaryart #nicksmith #vangoghsunflowers #rhodescontemporaryart #nicksmithart
Van Gogh - Sunflowers Stolen: 14 April 1991 Recovered: Yes 754 colour chip collage Paper size: 70cm x 92cm Now on show @rhodescontemporaryart #nicksmith #vangoghsunflowers #rhodescontemporaryart #nicksmithart
The largest collage I’ve ever made consisting of 3,392 colour chips. Rembrandt’s - Storm on the Sea of Galilee. Now on show @rhodescontemporaryart #rhodescontemporaryart #nicksmith #nicksmithart #
The largest collage I’ve ever made consisting of 3,392 colour chips. Rembrandt’s - Storm on the Sea of Galilee. Now on show @rhodescontemporaryart #rhodescontemporaryart #nicksmith #nicksmithart #
Vermeer’s ‘The Concert’ is widely considered the most valuable painting ever stolen. It remains unrecovered 29 years after the theft. The piece depicts a music lesson with two paintings hung on the back wall. I screen printed the Vermeer displaying empty frames as a nod to The Isabella Gardner Museum in Boston’s choice to display an empty frame where it once sat. 17 colour screen print on 400gsm Somerset paper 40cm x 46cm Limited edition of 50 Signed & embossed £450 plus shipping... Purchase link in my bio 🚨 Now available via Rhodes Contemporary gallery in conjunction with my current exhibition ‘PINCHED’ which runs till June 1st @rhodescontemporaryart #nicksmithart #nicksmith #rhodescontemporaryart #vermeer #theconcert #isabellagardnermuseum
Vermeer’s ‘The Concert’ is widely considered the most valuable painting ever stolen. It remains unrecovered 29 years after the theft. The piece depicts a music lesson with two paintings hung on the back wall. I screen printed the Vermeer displaying empty frames as a nod to The Isabella Gardner Museum in Boston’s choice to display an empty frame where it once sat. 17 colour screen print on 400gsm Somerset paper 40cm x 46cm Limited edition of 50 Signed & embossed £450 plus shipping... Purchase link in my bio 🚨 Now available via Rhodes Contemporary gallery in conjunction with my current exhibition ‘PINCHED’ which runs till June 1st @rhodescontemporaryart #nicksmithart #nicksmith #rhodescontemporaryart #vermeer #theconcert #isabellagardnermuseum
Story of how Goya’s Duke of Wellington was stolen On the 21st August 1961, curiously 50 years to the day after the Mona Lisa was stolen from the Louvre. A retired truck driver named Kempton Bunton snuck in through a window in the Gents WC of the National Gallery, London, which he had deliberately unlatched the previous day. He removed the painting from the gallery wall and then sent a series of notes written in capitals, to various newspapers. Purchased for £140,000; Bunton’s first note outlined his intent: "The act is an attempt to pick the pockets of those who love art more than charity . . . the picture is not, and will not be for sale – it is for ransom – £140,000 – to be given to charity." He later claimed that: "My sole object in all this was to set up a charity to buy television licences for old and poor people who seem to be neglected in an affluent society." Four more notes were sent and received no response from the National Gallery. His fifth and final note stated: ”Goya's Wellington is safe. I have looked upon this affair as an adventurous prank – must the authoritys [sic] refuse to see it this way. I know now that I am in the wrong, but I have gone too far to retreat." Almost four years later, Bunton weary of his charitable endeavour deposited in the left-luggage office of New Street station in Birmingham. He handed himself in shortly after and was acquitted of all but 1 of 5 criminal charges… He didn’t return the Wellingtons frame serving 3 months for his crime. Now on display @rhodescontemporaryart 754 colour chip collage on Fabriano 5 paper measuring 37 x 50cm #nicksmithart #rhodescontemporaryart #goya #collageonpaper #nicksmith
Story of how Goya’s Duke of Wellington was stolen On the 21st August 1961, curiously 50 years to the day after the Mona Lisa was stolen from the Louvre. A retired truck driver named Kempton Bunton snuck in through a window in the Gents WC of the National Gallery, London, which he had deliberately unlatched the previous day. He removed the painting from the gallery wall and then sent a series of notes written in capitals, to various newspapers. Purchased for £140,000; Bunton’s first note outlined his intent: "The act is an attempt to pick the pockets of those who love art more than charity . . . the picture is not, and will not be for sale – it is for ransom – £140,000 – to be given to charity." He later claimed that: "My sole object in all this was to set up a charity to buy television licences for old and poor people who seem to be neglected in an affluent society." Four more notes were sent and received no response from the National Gallery. His fifth and final note stated: ”Goya's Wellington is safe. I have looked upon this affair as an adventurous prank – must the authoritys [sic] refuse to see it this way. I know now that I am in the wrong, but I have gone too far to retreat." Almost four years later, Bunton weary of his charitable endeavour deposited in the left-luggage office of New Street station in Birmingham. He handed himself in shortly after and was acquitted of all but 1 of 5 criminal charges… He didn’t return the Wellingtons frame serving 3 months for his crime. Now on display @rhodescontemporaryart 754 colour chip collage on Fabriano 5 paper measuring 37 x 50cm #nicksmithart #rhodescontemporaryart #goya #collageonpaper #nicksmith
Story of the theft of Munch’s Madonna Two masked robbers yanked the art violently from the walls of the Munch Museum on Aug. 22, 2004, as about 80 visitors cowered nearby or milled about, oblivious, in side galleries. The robbers — one of whom threatened museum employees with a .357-Magnum handgun carried the heavily framed paintings to a black Audi station wagon, driven by an accomplice, and then disappeared. It took Oslo police two years and nine days to recover the artwork. They had also offered a reward of about $325,000 for assistance leading to the paintings’ recovery, but it’s unclear how exactly the masterpiece was recovered. 474 colour chip collage on Somerset Satin print measuring 100cm x 100cm now on display @rhodescontemporaryart #rhodescontemporaryart #nicksmithart #munchmadonna
Story of the theft of Munch’s Madonna Two masked robbers yanked the art violently from the walls of the Munch Museum on Aug. 22, 2004, as about 80 visitors cowered nearby or milled about, oblivious, in side galleries. The robbers — one of whom threatened museum employees with a .357-Magnum handgun carried the heavily framed paintings to a black Audi station wagon, driven by an accomplice, and then disappeared. It took Oslo police two years and nine days to recover the artwork. They had also offered a reward of about $325,000 for assistance leading to the paintings’ recovery, but it’s unclear how exactly the masterpiece was recovered. 474 colour chip collage on Somerset Satin print measuring 100cm x 100cm now on display @rhodescontemporaryart #rhodescontemporaryart #nicksmithart #munchmadonna
I find it fascinating the way a frame can affect an artwork... So I framed this black and white Kate Moss in a mirror frame. Sold via @rhodescontemporaryart #rhodescontemporaryart #nicksmithart #nicksmith #katemoss
I find it fascinating the way a frame can affect an artwork... So I framed this black and white Kate Moss in a mirror frame. Sold via @rhodescontemporaryart #rhodescontemporaryart #nicksmithart #nicksmith #katemoss
Story of the theft of Rembrandt self portrait (microchip). On December 22, 2000 a man with a machine gun and two accomplices already inside, brazenly walked into the Swedish National Museum, subdued the guards and took three paintings off the walls. Rembrandt’s Self Portrait was among them. Across town, two cars exploded outside two nearby hotels, diverting emergency responses. Once the alarm was sounded emergency vehicles found their tyres slashed by scattered nails outside the crime scene, providing ample time for the thieves to stash the artwork under their arms and spirit them away in a speedboat. Within a month all believed involved were caught and ten arrests were made. The paintings remained at large. In 2001 the first was recovered. Rembrandt’s self-portrait was discovered in 2005 in a hotel in Copenhagen. It was reportedly found during an attempted sale when the police intervened. The third was reported to have resurfaced prior to the Rembrandt. This is the smallest piece in the show and also one of my favourites, scaled to match the original Rembrandt consisting of 696 colour chips collaged onto Fabriano paper. Now on display @rhodescontemporaryart #rhodescontemporaryart #nicksmithart #nicksmith #rembrandt #collageonpaper
Story of the theft of Rembrandt self portrait (microchip). On December 22, 2000 a man with a machine gun and two accomplices already inside, brazenly walked into the Swedish National Museum, subdued the guards and took three paintings off the walls. Rembrandt’s Self Portrait was among them. Across town, two cars exploded outside two nearby hotels, diverting emergency responses. Once the alarm was sounded emergency vehicles found their tyres slashed by scattered nails outside the crime scene, providing ample time for the thieves to stash the artwork under their arms and spirit them away in a speedboat. Within a month all believed involved were caught and ten arrests were made. The paintings remained at large. In 2001 the first was recovered. Rembrandt’s self-portrait was discovered in 2005 in a hotel in Copenhagen. It was reportedly found during an attempted sale when the police intervened. The third was reported to have resurfaced prior to the Rembrandt. This is the smallest piece in the show and also one of my favourites, scaled to match the original Rembrandt consisting of 696 colour chips collaged onto Fabriano paper. Now on display @rhodescontemporaryart #rhodescontemporaryart #nicksmithart #nicksmith #rembrandt #collageonpaper
50% Rembrandt 44% Ruff Ryder 6% wife holding art in front of washing line #nicksmithart #rhodescontemporaryart #rembrandt
50% Rembrandt 44% Ruff Ryder 6% wife holding art in front of washing line #nicksmithart #rhodescontemporaryart #rembrandt
Story of the theft of Portrait of a Woman by Klimt In 1996, while flipping through The Complete works of Gustav Klimt, a sharp-eyed 18yr old (Claudia Maga ) noticed a strong resemblance between The Lady & another Klimt, Portrait of a Young Lady, that had not been seen since 1912. She photocopied & enlarged two photographs from the book, drew the profile of the Young Lady on tracing paper & placed it on top of The Lady. "That was it," she says. "The Lady was concealing another portrait…the only double portrait Klimt ever painted." Maga got the gallery's former director, Ferdinando Arisi, interested in her theory. He removed the portrait from its frame and headed to the hospital. A series of X-rays revealed the earlier work beneath the surface. The story behind the piece was the next surprise. Klimt fell in love with a girl from Vienna. When his muse suddenly died, he painted over her. An exhibition was arranged to show off the painting. Coincidentally, the gallery went under renovation. Paintings were packed into storage. Workers came & went. The Klimt went missing. Gallery staff assumed it was removed in preparation for the exhibition. The case went cold. In 1997, a journalist arranged a meeting between the investigator, Col Luca Pietranera, & an art thief he befriended in one of Piacenza's many bars. The thief told the colonel that the original investigators asked him for advice, as they searched for the thief. He confessed that he stole it & left the gilded frame on the roof as a coup de theatre. But what he had stolen that day was a copy. What had happened to the real painting? After the discovery of the double Klimt, he had walked into the gallery and replaced the original with a copy. "Nobody blinked. It was an easy & carefully planned inside job." Why was it necessary to steal the copy? The exhibition would doubtless have brought Klimt experts from far & wide. One would surely have spotted it was a fake - this may have been disastrous for the gallery insider who had assisted with the theft. Now on display @rhodescontemporaryart #nicksmithart #rhodescontemporaryart #nicksmith
Story of the theft of Portrait of a Woman by Klimt In 1996, while flipping through The Complete works of Gustav Klimt, a sharp-eyed 18yr old (Claudia Maga ) noticed a strong resemblance between The Lady & another Klimt, Portrait of a Young Lady, that had not been seen since 1912. She photocopied & enlarged two photographs from the book, drew the profile of the Young Lady on tracing paper & placed it on top of The Lady. "That was it," she says. "The Lady was concealing another portrait…the only double portrait Klimt ever painted." Maga got the gallery's former director, Ferdinando Arisi, interested in her theory. He removed the portrait from its frame and headed to the hospital. A series of X-rays revealed the earlier work beneath the surface. The story behind the piece was the next surprise. Klimt fell in love with a girl from Vienna. When his muse suddenly died, he painted over her. An exhibition was arranged to show off the painting. Coincidentally, the gallery went under renovation. Paintings were packed into storage. Workers came & went. The Klimt went missing. Gallery staff assumed it was removed in preparation for the exhibition. The case went cold. In 1997, a journalist arranged a meeting between the investigator, Col Luca Pietranera, & an art thief he befriended in one of Piacenza's many bars. The thief told the colonel that the original investigators asked him for advice, as they searched for the thief. He confessed that he stole it & left the gilded frame on the roof as a coup de theatre. But what he had stolen that day was a copy. What had happened to the real painting? After the discovery of the double Klimt, he had walked into the gallery and replaced the original with a copy. "Nobody blinked. It was an easy & carefully planned inside job." Why was it necessary to steal the copy? The exhibition would doubtless have brought Klimt experts from far & wide. One would surely have spotted it was a fake - this may have been disastrous for the gallery insider who had assisted with the theft. Now on display @rhodescontemporaryart #nicksmithart #rhodescontemporaryart #nicksmith
There’s not much more of a grim story than a stolen child: this painting of Madonna & the Yarnwinder by DaVinci was recently subject to a £4.25m extortion plot... now recovered. Robbed from Drumlanig Castle on Aug 27, 2003 by a pair of axe wielding men posing as tourists, who escaped in a white VW Golf. Edition of 3 measuring 56 x 79cm now on display @rhodescontemporaryart #nicksmithart #rhodescontemporaryart #nicksmith
There’s not much more of a grim story than a stolen child: this painting of Madonna & the Yarnwinder by DaVinci was recently subject to a £4.25m extortion plot... now recovered. Robbed from Drumlanig Castle on Aug 27, 2003 by a pair of axe wielding men posing as tourists, who escaped in a white VW Golf. Edition of 3 measuring 56 x 79cm now on display @rhodescontemporaryart #nicksmithart #rhodescontemporaryart #nicksmith
🚨Interesting story... Not many people are aware that the Mona Lisa was stolen over a century ago from the walls of the Louvre, in a blunderous theft involving a broken door knob that most certainly made it the famous Masterpiece it is today. After taking the artwork from the wall, an Italian handyman named Vincenzo Perugia hid in a closet in the Louvre overnight waiting for the museum to reopen in the morning to make his getaway. When the door handle of the closet broke off in his hand he was left trapped inside. It was only when he was heard knocking on the door from the inside, that a plumber employed by the Louvre opened the door from the outside, aiding in his escape. Perugia then handed the plumber the broken door knob and made his way out of the museum with the painting hidden under his smock. It took over two years for the Mona Lisa to be recovered. Perugia was apprehended attempting to sell the painting to the Uffizi Gallery, in Florence, Italy, which he believed to be it’s rightful home. Perugia was sentenced to one year in prison and upon his release was hailed a national hero by the Italian public, for attempting to repatriate the Italian masterpiece to its country of origin. Louvre Wall with Door Knob (Mona Lisa) Nick Smith 2019  Edition of 7 + 1 a/p Paper size 27.5cm x 35cm Vintage brass door knob framed on Fabriano 5 paper Pinched: August 21, 1911 Recovered: Yes Now on display @rhodescontemporaryart until 1st June #nicksmithart #rhodescontemporaryart #nicksmith
🚨Interesting story... Not many people are aware that the Mona Lisa was stolen over a century ago from the walls of the Louvre, in a blunderous theft involving a broken door knob that most certainly made it the famous Masterpiece it is today. After taking the artwork from the wall, an Italian handyman named Vincenzo Perugia hid in a closet in the Louvre overnight waiting for the museum to reopen in the morning to make his getaway. When the door handle of the closet broke off in his hand he was left trapped inside. It was only when he was heard knocking on the door from the inside, that a plumber employed by the Louvre opened the door from the outside, aiding in his escape. Perugia then handed the plumber the broken door knob and made his way out of the museum with the painting hidden under his smock. It took over two years for the Mona Lisa to be recovered. Perugia was apprehended attempting to sell the painting to the Uffizi Gallery, in Florence, Italy, which he believed to be it’s rightful home. Perugia was sentenced to one year in prison and upon his release was hailed a national hero by the Italian public, for attempting to repatriate the Italian masterpiece to its country of origin. Louvre Wall with Door Knob (Mona Lisa) Nick Smith 2019  Edition of 7 + 1 a/p Paper size 27.5cm x 35cm Vintage brass door knob framed on Fabriano 5 paper Pinched: August 21, 1911 Recovered: Yes Now on display @rhodescontemporaryart until 1st June #nicksmithart #rhodescontemporaryart #nicksmith
‘Theft of a Banksy - CCTV’ now on show @rhodescontemporaryart 551 microchip collage on paper for my current show titled ‘PINCHED’ #rhodescontemporaryart #nicksmithart #banksytheft
‘Theft of a Banksy - CCTV’ now on show @rhodescontemporaryart 551 microchip collage on paper for my current show titled ‘PINCHED’ #rhodescontemporaryart #nicksmithart #banksytheft
I’m delighted to be opening my next exhibition titled ‘PINCHED’ @rhodescontemporaryart next week. You can find a link in my bio for more details on the show along with the catalogue of works. If you’d like to join us at the Private view and drinks reception this Thursday 2nd May between 6-8:30 we’d love to see you there. Please RSVP to info@rhodescontemporaryart.com #pinched #nicksmithart #rhodescontemporaryart #nicksmith
I’m delighted to be opening my next exhibition titled ‘PINCHED’ @rhodescontemporaryart next week. You can find a link in my bio for more details on the show along with the catalogue of works. If you’d like to join us at the Private view and drinks reception this Thursday 2nd May between 6-8:30 we’d love to see you there. Please RSVP to info@rhodescontemporaryart.com #pinched #nicksmithart #rhodescontemporaryart #nicksmith
My wife said I probably shouldn’t be wearing Reeboks in this shot #AM90 #nicksmithart #nicksmith
My wife said I probably shouldn’t be wearing Reeboks in this shot #AM90 #nicksmithart #nicksmith
I've been eager for years to make an artwork referencing Jacques-Louis David painting of Napoleon crossing the Alps. My Dad had a ceramic sculpture of the painting in our family home and I always remember it so it's colours & form is seared into my mind from a young age. So here it is. Launching at The Paris Urban Art Fair next week via @nellyduff Edition of 50 £395 84 x 100cm #nellyduff #nicksmith #nicksmithart
I've been eager for years to make an artwork referencing Jacques-Louis David painting of Napoleon crossing the Alps. My Dad had a ceramic sculpture of the painting in our family home and I always remember it so it's colours & form is seared into my mind from a young age. So here it is. Launching at The Paris Urban Art Fair next week via @nellyduff Edition of 50 £395 84 x 100cm #nellyduff #nicksmith #nicksmithart
I was recently invited by poet Kathryn Carter to collaborate my artwork with her Haiku prose. You can see the product of the collaboration in these 3 works titled Cellophane Veil, Venom & Seized... which have been published in the Haiku Times. Love your work @bykathryncarter #haiku #kathryncarter #nicksmith #nicksmithart
I was recently invited by poet Kathryn Carter to collaborate my artwork with her Haiku prose. You can see the product of the collaboration in these 3 works titled Cellophane Veil, Venom & Seized... which have been published in the Haiku Times. Love your work @bykathryncarter #haiku #kathryncarter #nicksmith #nicksmithart
New Nick Smith print AM90 - Limited edition of 90 Presenting my latest print edition honouring @nike Air Max day. Measuring 46 x 70cm, this limited edition giclee is printed on Somerset Satin 300gsm paper with a screen printed varnish over the colour blocks. Each print is signed, numbered and embossed. Close up reading of this print celebrates the creators, influencers & milestones of this iconic shoe, over the 29 years of its colourful, air cushioned history. Available for purchase online exclusively via Rhodes Contemporary Gallery on Tuesday 26th March at 16:00 GMT using the link in my bio. £225 plus shipping @rhodescontemporaryart #nikeairmaxday #rhodescontemporaryart #nicksmith #nicksmithart
New Nick Smith print AM90 - Limited edition of 90 Presenting my latest print edition honouring @nike Air Max day. Measuring 46 x 70cm, this limited edition giclee is printed on Somerset Satin 300gsm paper with a screen printed varnish over the colour blocks. Each print is signed, numbered and embossed. Close up reading of this print celebrates the creators, influencers & milestones of this iconic shoe, over the 29 years of its colourful, air cushioned history. Available for purchase online exclusively via Rhodes Contemporary Gallery on Tuesday 26th March at 16:00 GMT using the link in my bio. £225 plus shipping @rhodescontemporaryart #nikeairmaxday #rhodescontemporaryart #nicksmith #nicksmithart
This piece took time to make. Preparing (slowly) for my next show @rhodescontemporaryart #nicksmith #nicksmithart #rhodescontemporaryart #pinched
This piece took time to make. Preparing (slowly) for my next show @rhodescontemporaryart #nicksmith #nicksmithart #rhodescontemporaryart #pinched
Signing the stack... stay tuned on my IG for the release info (Air Max Day) 23.03.19 on where to buy... £195 Edition of 90 #nicksmith #rhodescontemporaryart #nicksmithart #screenprint #airmaxday
Signing the stack... stay tuned on my IG for the release info (Air Max Day) 23.03.19 on where to buy... £195 Edition of 90 #nicksmith #rhodescontemporaryart #nicksmithart #screenprint #airmaxday
26.03.19
26.03.19